Black Mother (2018)

Khalik Allah / 2018/ Jamaica, USA / 77 minutes Review by Jonathan Ali An island is a world, as the writer Samuel Selvon declared. So it would be foolhardy, dangerous even, to assume that a single work of art could entirely encompass or reflect an island, with all of the depth and complexity and contradictions […]

A conversation with Lesley-Ann Brown on freedom in a post-colonial world.

Lesley-Ann Brown is a Brooklyn-born writer, educator and activist who currently lives in Copenhagen, Denmark. She has written for Vibe and The Source, and is the founder of Bandit Queen Press and the critically-acclaimed blackgirlonmars blog. Decolonial Daughter is the memoir of a bold, independent black woman seeking freedom across different worlds marked by the […]

INWARD GAZING with Blitz “The Ambassador” Bazawule

Blitz “The Ambassador” Bazawule is a Filmmaker and Musician born in Ghana and based in New York. Blitz’s short films Native Sun (2012) and Diasporadical Trilogìa (2016) premiered at New Voices in Black Cinema and Blackstar Film Festival respectively. Blitz is also the founder of the Africa Film Society, an organization focused on the preservation […]

Inaugural Caribbean literary festival scheduled for September in Brooklyn, NY.

Aided by the auspicious support of the Office of the Brooklyn Borough President and other key stakeholders, the Brooklyn Caribbean Literary Festival seeks to contribute to the ongoing narrative of what it means to be of Caribbean descent through the celebration and exploration of Caribbean literature and its derivatives. Carded for September 6 – 8, […]

About choices, strength and salvation | Moving Parts

A conversation with Emilie Upczak on her debut feature Moving Parts CE: Can you tell us about the inspiration and/ or motivation behind this film? EU: Moving Parts was conceived in January 2013, shortly after the completion and festival run of my first narrative short film Knockabout, a neo-noir shot in Port of Spain using […]

Blasé Vanguard discusses exploration of self and story to create future sounds.

Tyronn “Blasé Vanguard” Wilson may seem like the regular cool guy, youth on his side, the world to conquer: with all the “swag” and cheekiness of 25. Yet, there is also a certain maturity in Blasé’s pensive gaze and composure: he really takes a few seconds to measure his answers to my questions, conscious of the fact that through his words, he can maintain a certain mystery about himself. We spend the afternoon exchanging on what it means “to be Caribbean”, how music and other stimuli influence creation and finally the need to connect – My lesson: Don’t be fo

About Usefulness and Necessity, New Work from Rodell Warner

As I enter the rust coloured gate, which Rodell locks twice while greeting me with a serene and almost timid smile, I’m pleasantly surprised by the contrast in scenery between the main street I just walked up, lined so tightly with offices and cars that everything seemed almost stuck together in one rainy, grey filter, […]